Ad astra

Oh, yeah, and with everything else going on in my life…I’m starting a new job. I haven’t been talking too loudly about it, because since I am still at Asher Agency for a few more days. It seemed unprofessional to go crowing about my sweet new gig when I was still working as hard as I could to serve current clients. But enough people have asked me about it, I figured, well…time to crow about my sweet new gig.

 

As of June 21st I will be assuming the role of Creative Director at AdLab Advertising, filling the stanky, musty, fungus-ridden shoes of Shane Albahrani (his feet, dude…) as he transitions into the role he was born to play, the full-time radio voice of your Ft. Wayne Komets. He’s been running the show at AdLab for years. Now he tosses the torch to my hands, to hold high. (Habs fans will recognize the paraphrasing there.)

 

And while this new gig will be really, really sweet (a corner office! FOR ME!!) it will be very different, as the client list for AdLab is a bit more personal, local, downright homey, compared to some of the larger clients I’ve handled for the past three years. Not that Asher doesn’t have some of those types of clients: 3RRC, Turnstone, FWCS…there are tons of campaigns I have been so very proud to work on for those clients, and others. But with the enormity of Subway and some of Asher’s higher education clients always looming, it will be quite a change to do something different. I’ll be trying my best to help AdLab grow, to elevate our profile, to expand our scope and capabilities. It’s exciting. It’s challenging. And as a competitor, I love it. I can’t wait to roll my sleeves up and get to work.

 

As for my time at Asher, I can’t say enough good things. Dan Schroeter and Kelly Gayer took in a completely inexperienced copywriter and gave him a shot. Tom Borne said “Okay, sounds good.” Into the frying pan I went, concepting, writing, casting, directing, and producing all manner of print, TV, and radio spots. Over the last year and a half, I’ve added digital video and content creation, working alongside talented individuals like Morgan McIntire and Sean O’Leary and crafted digital and social media campaigns with Anthony Juliano, Brandon Peat, Brandon Wolf, Anthony Boyer, and Caity Rose. (In fact, if you see a video for FWA, Indiana Tech, or FWCS pop up on your timeline, there’s a good chance I did it, and those folks all added their parts to the process to make it work.) It’s crazy to sit back and think about how many wonderful people I got to know and love within the walls of that building on Wayne and Fulton. My work wife Jenna, my loveable uncle Larry…hell, I could go on and on and not mention everyone who has made my time there so enjoyable. So I won’t even try.

 

And of course, there’s Motia. Her alter ego has appeared in many of my science-fantasy short stories here in this blog from time to time, but the real AJ Motia is a hundred times as powerful, brave, smart, and kind. It was she who initially told me “I don’t know if you’d be interested in the Asher copywriting gig. It’s sort of entry-level.” But she also knew what I wanted to do, and she has been my champion every step of the way.

 

Finally, there’s my Sweet Baby. She and I are sat here on a Saturday, discussing life and how wonderful things are and what a strange, often trying trip it’s been for the last 13 years or so in Ft. Wayne. And how it really does feel like home, and we never want to leave. And how we can do whatever we want. And we will. And we love you guys. Thanks.

 

Excelsior!

Funball Sportacular!

It’s one of the most magical times of the year for sports fans. The NCAA Basketball Tournament looms, the NHL and NBA Playoffs are on the horizon, pitchers and catchers are reporting, the Barclays Premier League has entered the final stretch…our collective athletic cups runneth over. (That’s an unsavory image.)

So what better time for me to dazzle and amaze you with some incredible sports facts? None! None, I say!

(DISCLAIMER: for some reason, I have been unable to confirm the accuracy of all of these facts, but, you know…it’s the internet. They gotta be true.)

DID YOU KNOW…

Soccer players run, on average, seven miles a game. This is largely because A) they are lost or B) they really need to use the bathroom but can’t find one.

 

Craig MacTavish was the last NHL player to skate without a helmet. The last player to skate without a protective cup was Andre “No-Balls” Parenteau.

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“Perhaps my flowing locks will distract everyone from these brutal uniforms…”

Baltimore Orioles shortstop Cal Ripken, Jr. played 2,632 consecutive games from April 30, 1982 to September 19, 1998. There is a fair deal of controversy surrounding this record, however, as for at least fourteen of these games, Ripken was supported “Weekend at Bernie’s” style between two other players who helped him “catch” and “run” whilst Ripken was semi-conscious.

 

85% of middle-school children will chuckle to themselves when the coach asks them to “Hand over the balls.”

 

Nowhere in the International Olympic Committee Guidelines does it mention anything about including bowling balls as props in Synchronized Swimming.

 

The first “hoops” in basketball were actually just peach baskets. The first “players” in basketball were pimply-faced white motherfuckers.

 

At 200 mph, NASCAR drivers in one second travel 293 feet, almost the length of a football field. (In other words, about half as fast as Barry Sanders.)

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Barry Sanders deserves so much better than a ’99 Mustang.

Gatorade is actually less than .5% alligator.

 

Contrary to popular belief, at no point in history is it recorded that regulation NFL footballs have been made of frozen rhinoceros turds.

 

Horse racing enthusiasts are often said to be “playing the ponies.” This is actually a common misnomer, the result of a misspelling. The original phrase was “paying with peonies” and dates back to the days of the Great Depression, when unpaid gambling debts resulted in a funeral for the bettor, complete with a wreath of flowers.

 

Rugby balls were originally made of pigs’ bladders, and had to be inflated by human breath, which led to…Jesus, never mind. I can’t, because this is actully 100% true, and you can Google the rest.

 

 

 

 

 

 

 

 

Engage.

I get messages. In the old days, we’d call it ‘mail’ because that’s what it was…either the analog, delivered-by-a-human-to-your-house variety, or the slightly less archaic electronic mail. But nowadays, it seems like most important missives I receive are via text or the forced-upon-us Facebook Messenger. (I don’t like it. It’s trying too hard to insinuate itself into everything, including group texts, which are bad enough without having some third-party app mucking things up. But I digress.)

Some of the messages that come my way are less than flattering. Some of them are downright shitty. Many of them are simply childish, ignorant ranting. And yeah, some of them have really excellent points wrapped up in vitriol and foul language. And you know what? I read them all. If what I’ve written or posted has evoked enough of a reaction for someone to commit the time needed to put their thoughts and emotions into words and then hit ‘send’? Good on them. And good on me for pushing buttons and moving the proverbial needle. I am, if nothing else, a social media provocateur.

My good friend and staunch Conservative (how come Liberals never get to be ‘staunch?’ Sort of elitist, if you ask me) Todd has a theory. He believes that Facebook (or any social media, really) forces people to encapsulate their point in easy-to-read fragments or memes. Our newsfeed and Twitter and Instagram and so on are all just like the major news outlets; competing for attention and trying to hold our interest. Add to that the audience, both real and perceived, witnessing the exchanges, and the stakes get higher, the arguments become polarized miniature brawls, mosh-pits of political slogans and pithy zingers. Nobody wants to look weak, nobody wants to concede, nobody backs down.

Todd’s point is that if he and I sit and have a discussion about religion or politics over a pint or nine at a quiet, out of the way table in a quiet, out of the way pub, why, the entire tone is different. We’ll actually say to one another “That’s a great point, but…” or “A compelling argument. However…” Maybe we don’t change anyone’s views, but we at least offer the chance to peek through one another’s personal lenses and get a better understanding of the opposing side. Add to all this the unspoken language of body, tone, tension in one’s voice, and the level and complexity of communication increases exponentially. Plus, consider this very important point: you will choose your words so very carefully if you must say them aloud, into the face of the man or woman across the table from you; a person who is quite within spitting or punching distance. That’s a level of enforced respect lacking in your average internet dust-up.

So, anyway. Messages. I recently received one in complaint of a meme I’d created which underscored Donald Trump’s repeated calls to prevent any sort of Syrian refugees from entering the country. And yes, the whole image macro was designed to shock, as well as it was intended to put a human face on the suffering which is a daily occurrence in Syria and other areas of the Middle East. This fellow named Shane engaged me via private message, and I’m so very glad he did. Because even though our conversation began with some the one-sided heat that Facebook is known for, something wonderful gradually happened: we listened to one another. We engaged one another. Shane and I didn’t simply throw insults and swear words. We had a discussion, just as if we were sitting in a booth facing one another over pints of Guinness.

Here is our entire exchange. Shane’s words are black, mine are red.

 

 

Ok I have to ask something….. Obama signed a bill to raise pay for the military….. were you aware that he also signed to hold military pay after that so he and all of Congress didn’t have to miss their cushy paychecks? I was very much aware when i had to figure out how to feed my kids and wife while fighting for him

You may not care but you lost a listener for life

 

I remember the commission’s recommendation to “restructure.” I also remember THIS from AFTER the so-called cuts were announced:

The Thursday veto will jeopardize a host of other specialty pays and bonuses, and has inflamed an already bitter budget standoff between Obama and congressional Republicans.

But it does not alter plans for a 1.3 percent raise for troops effective Jan. 1, which is ensured regardless of how the veto fight shakes out.

“That’s because the defense bill is silent on the 2016 military raise. Obama had pledged to set it at 1.3 percent — below expected civilian wage growth — and lawmakers chose to allow that target to stand unchallenged rather than officially substitute their own wage hike in the defense authorization bill.

It’s the same tack lawmakers took in the 2015 defense bill, and it leaves Obama’s order, issued in August, as the final word on military pay for 2016.

As such, the 1.3 percent raise will go into effect Jan. 1” – The Military Times, October 23, 2015

I know Congress is a whole sack of turds. I know they’re over-paid, especially by the lobbyists. But THEY are the ones fucking our troops.

Also, I haven’t been on the radio for over two years, so no biggie.

Can’t support once side of the fence while crushing the other and expect 100% support. Tell me 1 fact that would make Hillary Clinton a better president than Trump

 

She’s not Trump.

But okay, I like her support of a single-payer health care system.

I appreciate that she would appoint supreme court justices that would NOT overturn Roe versus Wade.

Trump, and to a greater extent Pence, have said they’d like to overturn marriage equality, making it illegal again for gays to marry.

Look, it’s America. The great thing is we can have this discussion.

Hell, we can say “FUCK OBAMA” or “GOD ISN’T REAL” or “NICKELBACK ROCKS!” And there’s nothing they can do to stop us.

I wore the uniform for 3 years. I wore our flag with pride every day and will walk with a limp for the rest of my life. Our society has come to selecting the lesser of 2 evils. I wouldn’t put the uniform back on for a single person in the upcoming election but a marriage license shouldn’t be a deciding factor in how my kids will grow up

The great thing about our system, though, is that we can change it every four years if we don’t like it.

But it’s going downhill consistently.

Also, ultimately Congress is at least as important as the President. They make the laws. They decide whether we go to war.

Those assholes have almost all got to go. Start fresh.

They may decide whether we go to war but the veterans (myself included) decide the true reasons we go and fight.

Anyway, look, you don’t have to like me or agree with me. And I appreciate your sacrifice. You may have seen that I’m doing the 22 pushups for 22 days challenge for the vets losing the war to PTSD. It’s something I care a great deal about, and it’s a tragic embarrassment that we let it happen.

And don’t let me influence who you listen to on the radio (although I think John the Mexican has the best show out there.)

Take care, bub.

I 100% support the support of the 22 a day that we lose. I served with most of them I just don’t want to shut the door on the one man that legitimately cares about them over a country 3000 miles away. You may have not been on for 2 years but I’ve listened to you for a lot longer than that.

Well, I appreciate you listening when you did (before you knew I was such a filthy bleeding heart libtard. Ha!)

I still live every day believing every man would choose his own family (country) before another. I know you would do the same if you were forced to choose between one or the other. It’s different when you don’t feel you can pick both

As every Christian I’m all about helping every man woman or child on this planet, but its time we take care of our own country.

And I think it’s totally possible to do both.

If our leaders would see it that way we’d be a lot better off sir

Take care in whatever ventures you are taking on wear the skates for both of us and God bless the USA

Next time I make it to the fort I’d feel honored to have a beer with you. Takes a strong man to fight off a herd to stick to his word

It would be my pleasure, sir.

I apologize if my intentions came off wrong I’m a man who values my family, my country, and the God I pray to every night. We are all entitled to our opinion I respect yours even if I don’t agree with it

Dude, I only wish more people would take the time to actually have a discussion, instead of just screaming and sharing memes. So, Thank you. And be well, bub. Let me know when you’re in town. I’ll get the first round.

Think we’d all be better off if we listened to our conscious a little more and spoke what we truly believed rather than trying to keep from offending ppl. Hope to have a beer and hopefully be on the ice with you Sir. God bless.

 

 

How about that? Civilized people, having a chat. Now, a couple notes. First, my use of the word “Libtard.” I really dislike that word. Not because it’s an attempt to smear or slur those of us whose opinions are left of center. Rather, because I have a friend raising a kid with Down Syndrome, and the word “retard” or any variation thereof, when hurled as an insult, rubs me the wrong way.

So, why use it in this conversation? Because I assumed, incorrectly, that Shane might be the sort of person to use that word. It was a vain, stupid attempt on my part to neutralize his weapon before he could use it. I shouldn’t have. Anyone scoring this debate would award a point to Shane.

Point number two: neither of us really budged. I don’t think for a second that Shane is going to run out and start polling for Hillary, no more than he believes I’ll cast a vote for Trump in November. And you know what? Thats totally okay. You’ve no doubt heard a friend remark “Never get into a political discussion on Facebook, because you aren’t gonna change anyone’s mind.” There’s a fair amount of truth to that, although I’ve seen it happen. I’ve watched opinions change during the course of a comment thread, and it’s amazing to see. But the point is, that’s not even the issue. The point is understanding each other a little better. The point is that this is still (ostensibly) a Democracy. The point is that the First Amendment owns that place of honor in the Bill of Rights because it is ultimately the most important one. Freedom of speech. Our gift to the world.

So, going forward, just engage a little more. Talk with people, not simply at them. By all means, share memes and stats and quotes…but use those as a starting point, a chance to spark a genuine conversation. Trust me, you’ll feel better, less stressed and anxious, especially as Election Day draws near. And who knows? Maybe you’ll make some new friends along the way. At the very least, you could potentially develop some of that mutual trust and respect people talk about.

Maybe this social media thing is gonna be okay after all. And, just maybe, so will we.

 

 

Ray & The Warthog

This is why I never take things for granted.

This time last week, I’d thought my life was pretty rough. My main point of misery centered on the contents of my tobacco pouch. The supply had dwindled, and what remained was dry, crumbling, and tasteless. My papers weren’t much better, being pages ripped from an old Bible I’d found in Silver City. Guess that’s karma. When you’re reduced to smoking Bible pages, maybe it’s time to rethink your life choices.

But oh, how things change. I’m getting some much-needed perspective. Cowered in a dry creek bed watching that damned A-10 circle back around, my cigarette-rolling prospects are the furthest thing from my mind.

If only Motia were here.

“I’ll send help. I promise,” she’d yelled over her shoulder. “Besides, it’s Earth. What’s the worst that could happen?”

Oh, it’s Earth, all right. One of ‘em. But it’s not just the where, as I’ve discovered in our travels. No, it’s the when. And seeing as how there’s an A-10 Warthog trying to raze the mining town about half a mile away (and, by virtue of proximity, me) I’m guessing I’m not the only person here that’s outside their original timeline.

It’s the damnedest thing, though. Seeing that flying anachronism, I think of the old Native American legend of the Thunderbird. Suddenly, shit makes sense. The Winnebago thought of the thunderbird as an omen of military victory. If you had a vision of one of the loud, lightning-hurling raptors, you were destined to become a great warrior. As I listen to the “BRRRR-R-R-R-R” of that thirty-mil and the throaty roar of the turbines as the thing flies low enough to send up a rooster-tail of dust and debris, I can imagine that the only way your run-of-the-mill War Chief in the 1800’s aboriginal population could even conceive of something like this would be through some sort of induced state.

And yet, here it is. No way this is a coincidence.

Footsteps, coming fast, crunching the dirt and rocks. I spin, the Navy revolver in my hand…and immediately aim it to the ground.

“Fuckin’ what is up, man!?”

Ray. It’s goddam Ray, here. Now. This is who Motia sent to help. And as he throws himself to the ground next to me, he reaches over my prone body to smother me in a huge hug.

“Good to see you, man! Sounds like there’s a lot going on. This looks interesting, no doubt. Dude, check this shit out…”

He pulls back, away from me, into a sitting position. I notice his garb for the first time. Ray’s pale blonde hair, the color if the inside of a banana peel, is back in a ponytail. His face and arms tanned so deeply that it’s hard to make out the detail in his tattoo sleeves. He wears what I can only call a pirate shirt…not the puffy, frilly, Captain Hook kind, but the roughspun beige linen sort with an open neck and billowy sleeves (which he’s rolled and pushed up over his elbows.)

“I shit you not, I’m first mate on a fuckin’ sloop of war! Check it!”

He turns his right arm over to show me a large swath of puckered, pink skin which runs from just over his wrist to about an inch below the crook of his arm.

“Cannonball burn. Know this: cannonballs are fuckin’ hot, son. This one nearly took my fuckin’ arm, and wiped this one dude out right at the knee, no joke. Dude stood there for like a microsecond, and then ‘fump!’ Over he goes. Unreal, dude. Oh, and—“

“RAY!” I shouted, louder than I intended.

“Right. Gotcha. Thunderbolt. Please explain.”

Thunderbolt. Or more accurately, Thunderbolt II. Damn, I’d forgotten. That was the official designation of the A-10. At least, in our timeline. In our universe. Ray seemed to read my thoughts, as he sometimes did.

“This is some real Dark Tower shit, my friend. Fuckin’ score.”

“That’s one way to put it. But the fact remains, that flying hunk of death is sort of in our way.”

Ray stares, and his hand absently tugs and strokes the tuft of corn silk on his chin.

Here’s the thing about Ray: he is fucking brilliant. Some people forget that. They lose sight of the fact that the guy could build an entire computer server and IT network from scratch, or that he’d spent two years in a Shaolin monastery or that his so-called “Superposition Drive Theory” was being seriously discussed (in an alternate timeline, anyway) as a viable means of interstellar, faster-than-light travel…an expression that he abhorred, because “You’re not traveling anywhere. You’re already there, you just aren’t aware of it!”

The other thing about Ray is that he’s totally nuts.

Well, that’s not completely accurate, either. He’s just…an unstable molecule. He’s chaos incarnate. When you scrap with him, the scary part isn’t his muscles or his training or anything, but the completely unpredictable, wild nature of his aggression. He and I scrapped once doing a thing on some damn world chasing down some quarry of Motia’s or whatever. It was a frustrating trip, and the trail had gone cold. We spent the night, all of us, drinking a whole crap-ton of this godawful booze punch we’d come across, and things got ugly. Everyone was cussing and punching, just pissed at everything out of general frustration and exhaustion. It bloomed into a full-on brawl, every creature for itself. Ray had thrown a good left cross at my head, one that I narrowly avoided. I countered by kicking him in the sternum. He grabbed my ankle and then did the unexpected. He could’ve twisted my leg, could’ve thrown me, could have done a lot of things, but what he did was to slam his forehead into the meat of my thigh. Hard. Yes, the fucker head-butted my leg. And that sounds crazy, and maybe even ineffective, but shit…imagine someone throwing a bowling ball, hard, and having it impact about three inches above your knee. My entire limb went numb. In all honesty, I couldn’t even stand on it when I came-to the next morning. The black, bone-deep bruise lasted weeks. It was horrible. Of course, when Ray saw it, he just laughed. Laughed and laughed. He cried tears of mirth and squeaked out “Oh, dude! Oh, shit! That’s why my neck hurts so bad! I tried to snap your leg with my skull, dude!”

Then a few days later, he’d saved my ass when we were ambushed by some Skinnies. That’s just Ray.

So he looks across the stretch of sand and rock and dust, through the waves of heat distortion rippling and blurring the horizon. And he concludes “That is definitely a jet airplane.”

Yes, it sure as fuck is.

“So, here’s the thing about jet airplanes. They need fuel. Lots of it, I’d imagine. So, this fucker is either hooked up with an alternate power source, which seems unlikely, the way it sounds and smells. Can you smell it? That oily, diesel-and alcohol smell? It’s on the wind. I think it’s him. It’s Mr. Buzzy. Or he’s got a refinery or some stash of fuel nearby. Not sure the range on these guys, but it’s gotta be finite.”

I stare at Ray for a second, then back to the grey-green terror swooping low again, strafing whatever it’s trying to kill in the town.

“Ammo, too…” I murmur. “Can’t have inexhaustible rounds, right? And it’s surely shooting projectiles. Those aren’t beam weapons.”

“Correct. So, ol’ boy there has a stash somewhere, hoss. I say we got find it and maybe end up getting us a flying machine. Dude, can you imagine? Ima take it back to my crew, back in the Caribbean.” Ray begins to cackle. “They will literally shit themselves, no doubt. CAW! CAW! DEATH CROW! CLEAR THE FUCKIN’ DECK!”

One thing at a time. It’s going to be dusk soon. And this strange quarry is going to fly off in one direction or another, I’m guessing. And we’ll track it somehow. And we’ll take it out somehow. And then I’ll double back to the mining camp and continue my quest. Maybe finally link up with Motia again. Jesus. Motia, the Indians, and now Ray. If we can just keep this crew together, we might just have a shot. We might just get things sorted.

And then, just maybe…maybe I can go home.

 

 

 

 

Video Breakdown – ‘Til Tuesday, (Believed You Were) Lucky

Before I get into this crazy-ass video for what really is a great song, let me lament that there aren’t more Aimee Manns in the world. There was a time, not long ago, when female singer-songwriters covered the earth in thick herds visible form space. Shawn Colvin, Sarah McLachlan, Natalie Merchant and scores of others…there was Lilith Fair, there were the Indigo Girls on commercial radio…it was glorious. Now we have Taylor Swift. And Gods love her, she’s fine, but…she ain’t no Aimee Mann. Taylor’s simply not as talented. She’s not as deep. And no, she’s nowhere near as enthralling and sexy. Sigh. It’s true: I have harbored a crush on Aimee since the Voices Carry video, through her cameo on Rush’s Time Stand Still, continuing with I Should’ve Known and shit, even up to ’til now.

But let’s be honest, in this video…she’s a little wacky. But then, the whole thing is wacky. This track was co-written by Jules Shear, and fun trivia fact: he’s the “Jules” in ‘J’ for Jules, another brilliant song from this under-achieving album. Both ...Jules and our featured song for this Video Breakdown used to be part of a mixtape my old roommate Marcus would play in the room we shared in college. He’d packed it with soothing melodies to facilitate soundly sleeping, even if sometimes each of us would actually be quietly shagging our female companions in our respective twin beds. Hey, man…college.

So, let’s begin by watching the actual video, shall we? Open it in another tab if possible, because you may want to flip back and forth. Ready?  In the words of Fred Schneider,here it ’tis…

Away we go.

00:00 – Oh! Lindsey Buckingham?

00:09 – Surprise! It’s Debbie Harry! Or…wait…

00:16 – Is that a picture from The Haunted Mansion? A saw? A bow? A bow-saw? (Also, Aimee? Aimee! We’re over here!)

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Camera one, Aimee. Camera one. Camera ONE.

00:33 – And this was your father’s lightsaber…

00:49 – I think they could only afford greenscreen for the top third of this shot.

1:04 – Magic 8-Ball getting’ mighty preachy.

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The new ones just say “Reply hazy. Fuck you.”

1:08 – Robo-hand has sweet knuckle tats like Robert Mitchum or Jake Blues.

1:10 – ILLUMINATI CONFIRMED!

1:13 – “Crap, guys. I couldn’t find a clover or horseshoe graphic. Let’s just spell out ‘lucky’ if it’s all the same to you.”

1:20 – “Aimee, show ’em the thing!”

1:23 – Birds: We’re free! Free from 8-ball enslavement!

1:30 – Black hole sun.

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Are those…birds? Or did someone drop a bunch of Playtex gloves?

1:34 – Aimee? Hey! Over HERE!

1:40 – Wherein Aimee steps in a hole or something, and domino doors, because…um…

1:49 – WHAT’S IN THE BOX?!

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Memories. Memories were in the box, asshole. And what looks like a spider.

2:00 – Took me a minute to realize that the shadows were from the objects still falling, ostensibly, from the previously-mentioned box. Nice touch. I guess whoever was in charge of continuity earned their paycheck on this shoot.

2:08 – What is that shit? Ash?

2:10 – Oh! Bubbles! We’re underwater with goldfish. That is lucky! (But goldfish can’t read.)

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|AT LEAST IT’S NOT MONOPOLY! HAHA!| (Translated from goldfish.)

 

2:13 – “Say, I wonder what my fate holds?”

2:14 – “FUCK! That can’t be good! Aw, man…”

2:18 – So we’re doing this again? This ‘Twilight Zone’ crap?

2:23 – Zoom in on young Peyton Manning.

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He’s just patiently waiting for his chance to yell “OMAHA!”

2:30 – The Australian ‘Watership Down.’

2:40 – Finally! Dr. Who!

2:43 – Finally! The Doors!

2:45 – Aimee, open your eyes all creepy-like.

2:46 – Nice touch with that ‘Spock’ thing you’re doin’ there.

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Actually, it looks more like a Dr. Evil move…

2:48 – The ‘Infinity Ticker-Tape” thing never really took off.

2:52 – Kids, that is a nice transition. Seriously, good match-dissolve.

2:59 – “ARE YE READY, KIDS?” (Because life. Life. In a pineapple. It’s de bubbles. Under the sea.)

3:03 – Those have to be snooker balls or something. Stupid English people gotta make everything fancy.

3:07 – “Lucky” is a great white-trash baby name, FYI.

3:12 – Time-lapse rose to symbolize…patience? I guess?

3:16 – Aimee puts her band on a pedestal. (No, fuck YOU!) Except…she’s up there, too…and Peyton does’t have his damn drums! WHAT HAPPENED TO YOUR DRUMS, PEYTON?!

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CAMERA ONE! GODDAMMIT, AIMEE!

3:22 – It is ALWAYS camera one! ALWAYS!

3:31 – ILLUMINATI!

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Laugh all you want, and then tell me what other reason there could possibly be for this. Huh, smart guy?

 

AAAAAAAAND SCENE.

So, to recap: Aimee Mann is a very talented singer/songwriter, but has no idea which camera to look into. The drummer for ‘Til Tuesday would grow up to shill pizza for Papa John’s. And in the 80’s you absolutely HAD to have a video. For every song you released. Sometimes your director had just depleted his last ounce of creativity trying to get Whitesnake to go in a more creative direction and, failing to do so, had gone on a three-day coke and alcohol bender before showing up on the set screaming “EIGHTBALL! WE’RE DOING THE EIGHTBALL SHOT!” (Double-meaning totally implied.)

Thanks for reading, and check out “Everything’s Different Now” by ‘Til Tuesday if you ever get a chance. Good stuff.

 

 

The Captain, the Rookie, and the Mystic

 

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The Three Musketeers. The Holy Trinity. Geddy, Neil, and Alex.

It’s been a wonderfully exciting week or so. A direct message from Dewar’s on Twitter. Strange clues and exotic tomes containing single-malt whiskies. And in the dizzying array of items and splendid, gorgeous packaging and presentation, I ALMOST FORGOT TO REVIEW THE DAMNED THINGS! I mean, I tasted them…but I kept putting off really publishing my findings. Today, I rectify that oversight.

But not before I show off some of the stuff that came along with the three single-malt offerings. If you read my initial Whisky Mystery blog, you learned about the entertaining riddles and such that accompanied The Aultmore. Well, not to be outdone, the Royal Brackla packaging featured an actual wooden box with hinged lid. Inside were two hefty, etched glasses, along with a little tin of honey, some raisins, almonds, and apricots. It was an alcoholic pick-a-nick basket, eh Boo-Boo?

Slide1

Everything a growing boy needs!

And the Deveron featured some great nautical design, and…oh yeah…a friggin WATCH! Plus, the bottle of scotch itself was magnificent.

Slide1

I totally wanted the “D” in this particular case.

More on that in the actual reviews, which start right now.

 

 

The Deveron (Mystic, Wise, Spiritual Advisor and Best Friend of the Captain)

The earthiest nose of the lot. Not overwhelmingly so, but it’s there. Like wet leaves. Faint spices. A hint of the seaside in there, too, although that could be my imagination, what with the overwhelming nautical theme of the gift box and the incredibly beautiful frosted sea-glass bottle. (Seriously, somewhere right now some rum distiller is kicking themselves for not stealing all of the Deveron’s look prior to the mass-release of this fine single-malt.)

 

Warm vanilla. A dark fruit, like plums or dates. Not a lot of peat, but it’s lurking in the background for an opportunity, hanging out with the yummy malts and tobacco bite, waiting to spring out at the finish. Delightful and mysterious, this dram. It feels a bit heavier on the tongue than the other two. Sweet, but not cloyingly so. Good stuff. A great alternative to the regular old bottles you have in the cabinet. Pour some for a friend and ask them to guess what it is.

4 stars

 

 

 

Aultmore (The Brash Young Ensign)

Looks light, and smells the same. DON’T BE FOOLED! The nose is almost totally unassuming. It almost didn’t seem like scotch, until I concentrated. There was alcohol here (oh, was there ever! More on that later) and a fruitiness, like maybe pears. If chardonnay were a whisky, it would smell like this.

 

I didn’t see the first punch coming until it was too late. Let this be a warning to you: there is a substantial alcohol bite to this little guy. And frankly, I found it a bit overwhelming at first. I checked the bottle and saw that I was sampling a nice 92 Proof beverage. Well, now. But the good news is that just like the very high-alcohol Sailor Jerry rum, there were flavors to be had. The Aultmore is just a little too eager, a headstrong rookie. Be patient with it and you’ll find the good. There’s a lovely apple/citrus sort of tang to it. A bit of sherry and a tiny little taste of oak. It also feels very light on the tongue. In other words, you would almost expect this whisky to be a lightweight “starter” whisky. It isn’t. And once I poured it over some ice, it settled down and was delightful. I tried the 12-year-old variety and thought it was okay. I think that a bit more aging would help tremendously, so I can’t wait to try the older varieties and see if I’m right. One final note: if you’re a fan of peat in your single-malt, look elsewhere. That’s not bad or good, as peat, like malts or spices, can be very divisive. (I once opened a bottle of Laphroaig in front of my wife and she turned her nose up immediately, saying that it “smelled like band-aids.”) The Aultmore, by contrast, is virtually smoke-and-peat free. So maybe it is a good starter whisky after all…

3 stars, although I’ll go up to 3.5 on the rocks

 

 

Royal Brackla (The Steady Captain With a Zeal For Adventure)

Okay, let’s get this juvenile bit out of the way. It’s hard for me not to make fun of things. The name of this bottle was no exception, with my mind racing between Blackula and Scott Bakula. No matter, as the drink was the best of the three which I had the pleasure to taste. We’ll start with the nose: It smelled of scotch. And I mean that in the very best way possible. It was fragrant and wonderful and familiar. Some apricots, some flowers from a meadow, and a dash of black pepper. Yes. This was the one.

 

Oh, so buttery on my tongue. There’s that pepper again. And something else, some dates or raisins. A bit “darker” taste than the Aultmore, and even though they were both 12-year-olds, the Brackla just tasted more finished. More mature. A man’s drink. A hint of pipe tobacco on the finish balanced by mellow honey. A steady hand on the tiller. Oak and rich leather. Yes. My go-to single-malt whisky has long been Glenlivet 12. This one may supplant that bottle, as it claims some of the things I love about Glenlivet, but with a bit more complexity. Looks like Royal Brackla might be a tiny bit more expensive, but with rumors of Glenlivet running out of the 12-year-old vintage, I wouldn’t be surprised to see them end up at about the same price before long. Either way, I won’t mind spending a few extra bucks for this bottle. It’s the goods.

4.5 stars

 

In conclusion, I’d say that it’s all great news for whisky fans. These three single-malts will seem oddly familiar to Dewar’s White Label drinkers, but much more complex and interesting. Three great single-malts that will serve as a wonderful opportunity to transition from blends, but strong enough to stand on their own amongst the established pantheon of great whiskies. Of the three, The Royal Brackla is the clear winner. It’s the James T. Kirk of this lot, with the Deveron as Mr. Spock (or Guinan, actually…or Troi) and The Aultmore a cheerful Ensign Chekov. I’ve had the pleasure of rotating the three bottles and it’s been a grand week to say the least. Seek ’em out. Enjoy them. Savor them.

Sláinte!

The Whisky Mystery

I arrived home on a snowy, blustery Northern Indiana evening to discover a parcel on my front porch. I love a mystery, and absolutely adore a puzzle. Knowing what was probably inside the large box, I whisked it inside, threw some crap off my dining room table, cut open the cardboard, and dug out what appeared to be a huge, fairly weighty tome. The thing was 14” by 14” and about 4.5” thick. Woof! And emblazoned upon the ‘cover’ was the seal of ‘The Aultmore Distilling Co.’ I took that to be a really good sign.

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Like a Guggenheim Bible…dedicated to BOOZE!

Upon closer inspection, of course, it was obvious that this object was not a real book. I opened the apparently magnetic flap on the cover and saw the mysterious (downright spooky) interior artwork and cover page. And behind that…the real good stuff.

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See, usually I prefer to pee myself AFTER I drink, thank you very much.

There was a neat little mini-book, really not much more than a pamphlet. The cover was sharp, and the paper thick, with that sort of rough, pulpy feel. Good stock. ‘The Mystery of the Buckie Road’ was the title, printed in gold leaf.

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That door either leads to whisky or grandpa’s old killin’ cellar.

Along with that was a fun-looking little cylinder with numbers etched into revolving tumblers. It was sturdy, made out of some sort of brass alloy. I’d read enough Dan Brown to recognize it as a cryptex.

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Or the oldest bike lock ever discovered.

I also found what at first glance seemed like a simple laser pointer. And it was, in part. There were two little buttons. The first activated a standard red laser. Okay. The second one…a single click produced a clear LED mini-flashlight beam. But when I pressed that one a second time, it switched to a dimmer blue glow. Curioser and curioser. I had a hunch why, but that would have to wait, because by now I figured I knew for sure what the real goodies were going to look like. And I wasn’t wrong.

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My cats were substantially less excited about the ghastly blue setting.

Behind the faux-wooden door flap, I discovered a bottle of 12-Year-Old single-malt scotch the color of honey and wheat: The Aultmore. NOW we were getting somewhere. And behind the booklet, a wee snifter-shaped glass (technically, a Glencairn Glass). How convenient!

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Hello, gorgeous…

Full disclosure time. Those that know me well enough are aware that I love a good Scotch Whisky. I get bottles of the stuff for Christmas, and it’s always fun to try a new label. Usually, I prefer the single-malts, but they can be a crapshoot, quite frankly. I know I’m pissing off some scotch purists, but there it is. With bottles as expensive as they tend to be, most folks don’t have the luxury of trying everything on the shelf. That being the case, we all have our favorites. And I have no problem admitting that I’ve always fancied a glass of Dewar’s White Label over some of the fancy, higher-end single-malts.

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Pictured: a ‘glass’ of Dewar’s.

“WAIT!” you cry. “DEWAR’S IS A BLEND!” It certainly is, and a wonderful one. There are other bottles in the same price range, and I’ve tried many…The Famous Grouse and Grant’s standing out alongside dark-horse favorites like Old Smuggler (seriously, not too shabby. You almost forget it can be had from a plastic bottle.) But Dewar’s is on my go-to list every time.

Sorry. Getting distracted thinking about all this booze. I’ll get back to that in the next blog entry. I’ll simply say that I was expecting a sample from the Dewar’s folks…but nothing quite as elaborate as this.

So, this mystery tome. It seemed obvious what my next steps were. The booklet held the key to the cryptex…and the cryptex itself held some additional mystery. It was really fairly exciting, a lot more adventurous than I’d anticipated for a simple whisky tasting.

I read the booklet in its entirety. Didn’t take long. It’s a tale about a mysterious old fisherman/smuggler/bootlegger leading the unnamed protagonist to discover the secrets of the distillery and whatnot. Nicely written, but not really groundbreaking.

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A story I’ll read to my grandchildren one day.

I returned to the front page, and shone my laser-pointer at the page, nearly tearing a hole in space-time. Crap. Forgot. Wrong button. Crimson light blazed through the dining room, boring cleanly through a cat (one down, one to go!) and nearly blinding me as it shone off the white paper. I clicked the other button until the faint blue light bled forth onto the page. And there I saw it.

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‘Saw what? Just looks like a regular ol’ page to me…’

Like some Scooby-Doo cartoon, or even better, some deleted scene from a Harry Potter film, faint, glowing numbers materialized. It was awesome. I figured I’d find something like that, but it was so cool to have my suspicions confirmed.

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‘So what am I looking for, some sort–OH! Oh, that’s pretty bad-ass!’

I swept carefully through the booklet, making sure not to miss any clues. I finished with the necessary digits (all numbers, no letters or symbols.) Nervously, I picked up the heavier-than-expected cryptex, spinning the tumblers into place until I felt (rather than heard) a ‘click’. Carefully I pulled the end cap, extracting a central cylinder which…was actually a USB stick!!

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Crap. Should’ve said ‘SPOILER ALERT!’

Haha! Of course! The whole thing was basically an electronic press kit. I found a video that ran a nice two-and-a-half minutes, descriptions of the varieties of whisky available, the different ages and such, and some information on the distillery and its history. It was all so wonderful.

So, quickly, I’ll tell you this. Dewar’s, knowing of my love for their blended scotch, reached out to me on Twitter. They informed me that they were about to launch a few varieties of single-malt scotch. The neat part? These featured single-malts are essentially the whiskies that get blended to make Dewar’s White Label. And now, for the first time, the greater public would be able to enjoy them one at a time. I was asked if I’d be interested in trying some. “Abso-freakin’-LUTELY” was my paraphrased response.

But the fun manner in which this was all presented, the mystery, the charm, the enigma…that’s good stuff. It’s great marketing, quite frankly, and excellent showmanship. Not sure who handles their promotions and advertising, but they’re a top-notch firm, make no mistake. And reaching out to select Twitter followers? Brilliant use of social media. Much more effective than some stupid YouTube video or “repost this for a chance to win” Facebook contest.

Ah, and as for the scotch itself?

 

To be continued…

 

 

 

Before and After

So, Motia (Mo-TEE-ya) says that I should blog more, and I should. Lately, though, she’s been very specific, suggesting blog subjects and the like. The nerve of some people. Telling me what to do. Directing my behavior. Punching me in the arm. Expecting me to get drunk at the company Christmas party.

I think she might be a prophet.

Anyway, we had a discussion the other day regarding certain moments when you realize that nothing will ever be the same. Events or moments in one’s life or in society, the arts, that forever change the medium. Rock ‘n’ Roll music is one of those. For example, in 1957 Elvis finished the year with the number one single on the pop charts with “All Shook Up.” The number two song overall? Pat Boone with “Love Letters in the Sand.” Yes, Pat Boone. By 1958, Pat dropped to #24 overall, and in 1959 he didn’t have a song in the top-100. Obviously, this was a more gradual change, but the point was made: rock ‘n’ roll is here to stay.

But let’s narrow our focus a bit. How about we look only at three different things that happened within the last thirty years or so. And we’ll keep it to one medium: cinema. There have been all sorts of innovators in film, and you could go back to Citizen Kane and Casablanca and discuss how groundbreaking those films were (and let’s be honest, I probably will one day) but I’ve narrowed it down to three events/watershed moments. We’ll start with perhaps the most obvious.

CGI

The original TRON was the first major Hollywood film to utilize the ground-breaking technology of “Computer Generated Imagery.” However, not only were the effects crude and clunky, but they only accounted for a small portion of the overall special effects.

Eerily lifelike.

Eerily lifelike.

The rest were old-school makeup, prosthetics, matte paintings, and colorizing/color replacing most of the footage. That same year, moviegoers had the piss scared out of them by John Carpenter’s The Thing. Carpenter’s film relied almost entirely on Bob Bottin’s stop-motion and puppetry (with a slight assist from the legendary Stan Winston) to create horrific and terrifying creature effects. However, within a couple of years after TRON’s theatrical release came 1984’s The Last Starfighter. In just two years (or less, since the movie was in production well before its release date) the ability of CG artists had leapt light-years ahead, rendering 3-D Gunstars that, while terribly crude by today’s standards, were still pretty cool.

Yeah, try and TELL me that ain't what a spaceship looks like, son.

Yeah, try and TELL me that ain’t what a spaceship looks like, son.

And in less than ten years’ time, we had Doctor Grant marveling at a herd of brachiosaurs. (Even though the famous velociraptor kitchen scene was done mostly by guys in dinosaur costumes.) Now we enjoy everything from Shrek to the Transformers series and everything Marvel Studios has produced. Think back to the “crawling spider-head monster” from The Thing. If filmed today, it would be completely rendered in CG. Would a CG version be better? Creepier? More realistic? Possibly. In the right hands, maybe. But the fact is that no studio would do it old-school today. Old-school SFX are still out there, but there isn’t a studio head in the business that would risk a shot like that without doing it CG.

Not to be confused with the Headcrabs from the Half Life series.

Not to be confused with the Headcrabs from the Half Life series.

Batman Begins

The argument could be made that 2000’s M. Night Shyamalan film Unbreakable was the first “realistic” super hero movie. But it wasn’t until Christopher Nolan helmed Batman Begins in 2005 that things got, well…serious. We’ve all grown jaded by the words “gritty reboot” but that’s exactly what Batman Begins was. After Joel Shumacher pretty much undid all the good work begun by Tim Burton’s time with the Caped Crusader in the late-80’s, ol’ Bats needed a new start. And when you spend the first part of the film showing millionaire playboy Bruce Wayne studying with ninjas in order to become a lethal assassin, people sort of forget about nipples on the Batsuit.

Until now.

Until now.

The phenomenon took off. Maybe it was perfect timing. In a post- 9/11 world, maybe glib one-liners and a vibrant color palette didn’t belong anymore. And yet, people still needed heroes. Enter The Dark Knight. Through three brilliant films, Nolan made us re-think exactly what we wanted from a comic-book movie. The ripples were felt as far away as M.I.6, as the following year a new, lean, hard, and violent-as-hell 007 debuted in a (all together now!) gritty reboot of the James Bond franchise. Casino Royale was also a dizzying success, and now even fluff movies like Guardians of the Galaxy contain enough gravitas (um, Peter Quill’s mom dying of cancer to start the goddam movie?) to make them feel “real.” Real enough, anyway.

Judd Apatow

Okay, this is actually the thing that got Motia and I talking about this concept of game-changers. I’d mentioned re-watching the original Dumb and Dumber recently, and here’s the thing: it’s really not that funny. Sure, it has its moments, and everyone can recite a handful of lines. But it just falls flat. What happened to cause such a diminishing return? Judd Apatow.

Apatow had been working for a while, writing, directing, producing, and often re-writing scripts for other people. Not many people watched Freaks and Geeks when it originally aired on FOX, probably about as many people as enjoyed The Ben Stiller Show (another example of Apatow’s handiwork.) But in 2004, Apatow produced a little film called Anchorman: The Legend of Ron Burgundy. Then he wrote and directed The 40 Year Old Virgin. And then Knocked Up and Talladega Nights. He produced films like Superbad and Pineapple Express, Step Brothers, Forgetting Sarah Marshall, Get Him to the Greek, and Bridesmaids.

God damn.

In fairness, ol’ Judd had some turkeys in there, too. Year One, for example. And he co-wrote Don’t Mess With the Zohan. But when you look at the scope of comedic films he’s had a hand in over the last two decades, it’s hard to argue that he’s the King of Comedy in Hollywood. There’s a reason for that. Remember how we just discussed the gritty nature of superhero movies since Batman Begins? Comedy works the same way. Judd’s movies generally (not always) have an element of reality in the midst of all the ludicrous shenanigans. I mean, you can watch his films and know those characters. Yes, there are absurd people like Brick Tamland, but there are also kids drawing dicks and foul-mouthed best-friends. Jilted lovers and chronic pot-smokers (pun intended, if redundant.) You know those people. The plots for 40 Year Old Virgin and Bridesmaids could absolutely happen in real life. And as much as it was panned, I even found the Anchorman sequel to be a biting satire of modern cable news media. That’s reality, folks.

The plot of Me, Myself, and Irene could not ever happen. Ever.

Like anyone would seriously believe that these two, would...uh...oh.

Like anyone would seriously believe that these two would…uh…oh.

Speaking of which, I’m not saying the films of the Farrely Brothers or Adam Sandler or Mike Myers aren’t good, or even funny. Kingpin has some of the best sight gags ever, and even though it doesn’t hold up very well, Austin Powers was a fun little movie (and the sequels weren’t terrible, really.) It’s just that after Judd Apatow, when I watch those other flicks I feel like an adult listening to 8th-graders tell jokes. 8th-graders can be hilarious, but most of their humor is sort of one-note: farts, gays, lady parts, etc. And all of those subjects can also be hilarious in the right context. But if that’s all you’re going to give me, I grow tired of it all very quickly. Thanks, Judd Apatow. You’ve ruined me for stupid comedies.

The Story So Far.

 

Most episodic television programs begin with a “previously on…” montage of scenes that lead right up into that evening’s episode.  Tigh and Starbuck have an argument, Baltar has a conversation with Six, and so on. Maybe it’s Rick and Daryl running through the woods, Carl doing something stupid, and then a closeup of Maggie screaming “RUN!” Whatever. Sons of Anarchy, Burn Notice, The Blacklist. Lots of programs use that storytelling technique.

Wanna hit Starbucks?  Nah, she's out playing pyramid. ZING!!

Wanna hit Starbucks?
Nah, she’s out playing pyramid.
ZING!!

 

Other shows just go right into the latest episode, basically telling the viewer “If you don’t know what’s up, we’re not going to slow down and fill you in. Keep up, already.” Breaking Bad was great at that. Before the titles, you’d see Walt up to some sort of nonsense in the desert, or Mike doing something shady, or some seemingly unrelated shot: a pink stuffed toy, charred and water-logged, floating in a swimming pool. The writers and directors on those sort of programs usually do a masterful job of weaving it all together by the end of the episode. (Or by the end of the season, at least.)

Does this look a little pink, man? ZING!!

Does this look a little pink, man?
ZING!!

 

The point is, I’m not sure what sort of show this is. (I know it’s not a show. It’s a blog. I get it.   I’m not stupid. WHY YOU ALWAYS GOTTA CALL ME STUPID?!) But I do feel like filling you in before I begin the next episode. Because the next episode is a must-see, can’t-miss rollercoaster ride of thrills and excitement! The San Francisco Chronicle raves “Totally engrossing form start to finish” and the Indianapolis Star writes “It’ll have you guessing right up until the very end!” My mom adds “IT’S A BLOG!! SHUT UP AND GET ON WITH IT, ALREADY!”

 

Okay.

 

 


We OPEN on a dusty western street at dusk. Smoke or some other haze almost totally obscures the sinking, orange blob of sun, distorted and watery through the ripples of heat from the desert below.

 

IN THE DISTANCE, a vehicle approaches towards us down a twisting dirt track (editor’s note: in the first draft, this was a DURST track, and Limp Bizkit played underneath for the whole scene. You can see it in the DVD bonus features, although you won’t really want to.)

 

A MAN (We’ll come to know him as TURNER) stands in the street, facing the approaching vehicle. TURNER wears Wayfarer sunglasses and holds a smoldering, half-smoked MARLBORO CIGARETTE with about an inch of ash on the end.

TURNER doesn’t seem to notice, his vision fixed on the approaching car…or beyond it. It’s hard to tell, because, you know…sunglasses.

 

TURNER takes a drag of cigarette, and exhales slowly.

 

TURNER: Mo-teeeeeee-ya…

 

He tosses the butt to the ground.

CLOSE on the heel of his cowboy boot as he grinds the cigarette into the dusty street.

 

In the BG we see the car more clearly: it is a tan-and-cream colored late-model sedan, like a Lincoln Mark V. The hood ornament is a mounted longhorn steer’s horns.  (editor’s note: in the original shot, the car actually seems to hover about a foot off the ground, while the theme from Twin Peaks plays underneath the scene.  Also, for some reason, the bull’s horns are replaced with twirling chains of chocolate-covered cream-filled long johns, but since no one could remember why it was written that way, this portion of the script was written off as simply “drugs” and forgotten.)

 

CLOSE on TURNER as he smiles.

 

We PAN DOWN the length of his torso, coming to HOLD on the ridiculously large, chrome revolver on his hip as he UNCLASPS the leather strap holding it in place. (editor’s note:  originally, producers wanted the revolver to be two silver-dollar pancakes stapled together.  No one knows why.  Everyone involved in the creation of this episode was terribly hungry.  And tripping balls.)

 

TO BE CONTINUED!


 

 

Well, no. Not really. But damn it, now I have to wrap it up. Guess I’ll have to fill you in next time. It’s a really good story. No, it is!

 

See you next time on “TURNERWATSON.COM!!”

 

(That doesn’t make any goddam sense.)

 

 

Radio, Radio…

I recently stumbled  upon a snippet of an old radio show I used to do.  The show was called the TnT Morning Show. We chose that show title because in its first iteration, I was joined by the amazing Tommy Collins (currently co-hosting the TnA Show on Wave 104 in Myrtle Beach.)  See, it made sense:  [T]ommy and [T]urner.  TnT.  When Tommy said “FUCK THIS SNOW!!” and returned to the Carolinas, the show continued with me and Parker [T]homas.  Here’s the insider tip that you might’ve been able to figure out regarding Parker:  his last name isn’t really Thomas.  We made that shit up to make it fit the TnT thing.  In fact, when I asked him if he minded adding a surname to his moniker, he shrugged and said “Yeah, sure!” and I handed him a LaBatt Blue and the rest is history, including the part where the little bastard up and left for Los Angeles.  Now you can hear Parker afternoons at 94. 1 WVIC.  When Parker took off, the third iteration of the show began with Barry [T]hickk (hey, at least he was already using that name!) until we got bumped by the syndicated Bob & Tom show in a cluster shake-up.

Anyway, here’s the break in question.  The “Safety Pop” in question is none other than Mr. Nathan Fast, a kid who will eclipse Ryan Seacrest in terms of visibility in the next five years. (Fact. Mark my words.)  The kid is HUGE and began his radio career as a lowly intern at 98.9 The Bear.  The Natalie you’ll hear was also an intern, and now runs Bark Like a Cat Media with her husband.  Not bad, kids.  Anyway, here it is.  Click the title to play…

Touching it, Dora, and Life.


 

How old is that thing?!  I mean, we mention MySpace for God’s sake!  Wow.  I brought this up to the attention of the parties involved, and Parker sent back this YouTube video that some listener put together.  A listener.  Someone that heard (and somehow recorded) a bit of our show and then put together a tribute video of sorts with pictures from our old MySpace and Facebook pages.  Never before have I been so flattered and totally creeped out at the same time.  The great thing about it is that it features one of my favorite characters, Fat Wal-Mart Lady.  Yes, she’s still out there, active on Twitter and Facebook and sometimes slumming at the Dollar Tree.  Brace yourselves…

So there’s a little walk down memory lane for ya.  Note to self:  I absolutely MUST dig up some old Tommy and Barry clips.  I’m sure they’re laying around somewhere.  In the meantime, we’ll always have MySpace…